Doctor Who Quote of the Week
The Doctor: You're very sick.
Doctor Constantine: Dying, I should think. I just haven't been able to find the time. Are you a doctor?
The Doctor: I have my moments.
("The Empty Child", Season 1 New Doctor Who)
This used to be a blog for an English independent scholar of fantasy fiction - but then "Doctor Who" stole my brain, my heart, my soul and my life - so these days it's more a Blog about my on-going utter obsession with "Doctor Who" - with occasional non-DW book reviews and discussions.
The Doctor: You're very sick.
Doctor Constantine: Dying, I should think. I just haven't been able to find the time. Are you a doctor?
The Doctor: I have my moments.
("The Empty Child", Season 1 New Doctor Who)
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This is just a quick reminder that the Scholar's Blog Spoiler Zone discussion of Harry Potter and the Deathly Hallows - Sheila of Wands and Worlds posted two lengthy comments overnight which are thoughtful and invite further discussion, so if you have the chance (and I realise most are busy with school about to or already starting up again for the new term), please stop by, and read and comment !
* * * * * *
And yes, I am still here - still reading others' Blogs, though not posting much on my own. Sorry - the fiction writing bug that gripped me mid-July (to write Tenth Doctor/Martha stories) simply hasn't let go of me yet, so I'm still busy writing lots of shorter stories for them. I presume the pair's death-grip on my brain will lessen eventually and then I'll actually get back to writing other things...
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*Phew* It's the start of a long weekend here in England and I've got Monday off work, yay ! So after an exhausting week that included a 3.45 fire alarm call (uh, thanks...), I'm feeling glad that it's Friday and in a little bit of a contemplative mood, so I chose a Gerard Manley Hopkins poem for you this week:
The Candle Indoors
SOME candle clear burns somewhere I come by.
I muse at how its being puts blissful back
With yellowy moisture mild night’s blear-all black,
Or to-fro tender trambeams truckle at the eye.
By that window what task what fingers ply,
I plod wondering, a-wanting, just for lack
Of answer the eagerer a-wanting Jessy or Jack
There God to aggrándise, God to glorify.—
Come you indoors, come home; your fading fire
Mend first and vital candle in close heart's vault:
You there are master, do your own desire;
What hinders? Are you beam-blind, yet to a fault
In a neighbour deft-handed? Are you that liar
And, cast by conscience out, spendsavour salt?
This week's round up is over at The Book Mine Set.
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The Doctor: And I'm looking for a blonde in a Union Jack. A specific one, mind you, I didn't just wake up this morning with a craving.
("The Empty Child", Season 1 New Doctor Who)
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It's been unofficially confirmed that the incomparable David Tennant will be doing Hamlet with the RSC in Stratford next year (and no, it's not certain whether that means he's leaving "Doctor Who" at the end of the fourth season, which is currently being filmed). Since I studied Hamlet as part of my degree but have loved the play for many, many years, I thought I would share some lines from what is one of my favourite plays.
The first section is Polonius' advice to Laertes (Act 1, Scene III):
Yet here, Laertes! Aboard, aboard for shame!
The wind sits in the shoulder of your sail,
And you are stay'd for.
There ... my blessing with thee!
And these few precepts in thy memory
Look thou character. Give thy thoughts no tongue,
Nor any unproportion'd thought his act.
Be thou familiar, but by no means vulgar.
Those friends thou hast, and their adoption tried,
Grapple them to thy soul with hoops of steel;
But do not dull thy palm with entertainment
Of each new-hatch'd, unfledg’d comrade. Beware
Of entrance to a quarrel but, being in,
Bear't that th' opposed may beware of thee.
Give every man thy ear, but few thy voice;
Take each man's censure, but reserve thy judgement.
Costly thy habit as thy purse can buy,
But not express'd in fancy; rich, not gaudy;
For the apparel oft proclaims the man;
And they in France of the best rank and station
Are of a most select and generous chief in that.
Neither a borrower, nor a lender be;
For loan oft loses both itself and friend,
And borrowing dulls the edge of husbandry.
This above all: to thine own self be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.
Farewell; my blessing season this in thee!
And how very wise is Shakespeare: "to thine own self be true"...
The second section is Hamlet's famous soliloquy which I memorised years and years ago and can still recite (Act III, Scene I):
To be, or not to be : that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action. -- Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd.
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Labels: David Tennant, Poetry Friday, William Shakespeare
The Doctor: (To a stray kitten) One day, just one day, maybe, I'm going to meet somebody who gets the whole "don't wander off" thing. 900 years of phone box travel and it's the only thing left that surprises me. (The TARDIS phone rings and he looks around in surprise.)
("The Empty Child", Season 1 New Doctor Who)
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I missed Poetry Friday last week - I kept putting it off until later in the day bceause I'd been so busy during the week that I hadn't picked a poem beforehand, and the next thing I knew it was bedtime and too late... That's the first time I've missed it since Kelly instituted it - although I've occasionally done Poetry Thursday or Poetry Saturday posts, I'd never not posted a poem before. So I was determined not to miss it this week and fortunately the Writer's Almanac reminded me this week of John Keat's Endymion:
A THING of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o’er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
’Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven’s brink.
Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple’s self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o’ercast,
They alway must be with us, or we die.
You can read the whole poem here. This week's Poetry Friday round-up is over at Big A, little a.
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The Doctor: I say 'spaceship', you're not interested, I say 'time machine'..."
Rose: I didn't plan it, I just saw it happening and thought I could stop it.
The Doctor: Ah, I did it again: I picked another stupid ape. I should have known. It's not about showing you the universe. It never is. It's about the universe doing something for you.
Rose: What's the problem? He's never gonna be famous, he's not gonna start World War Three or anything.
The Doctor: Rose, there's a man alive in the world who wasn't alive before. An ordinary man. That's the most important thing in creation! The whole world's different because he's alive!
Rose: So you'd have him dead?
The Doctor: I didn't say that...
Rose: No, I get it: for once, you're not the most important man in my life.
The Doctor: Rose, my whole planet was destroyed, my family - do you think it never occurred to me to go back and save them?
("Father's Day", Season 1 New Doctor Who)
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This month (and next) we're discussing Harry Potter and the Deathly Hallows so please head on over and add your tuppence or two cents' worth - that's assuming you're not already all talked-out about this one...
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The summer issue of The Edge of the Forest is finally up. It has many exciting features for you, as well as interviews, reviews, and much, much more. In short, here's what's in store this month:
The Edge of the Forest will return September 10.
* * * * * *
Just before ye hasten away to read it, don't forget the very spoilerific discussion of Harry Potter 7 will start tomorrow over on the Scholar's Blog Spoiler Zone - everyone's welcome to join in, so see you there...
Now ye may hasten away to The Edge of the Forest !
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[While The Doctor and Rose are in mannacles]
The Editor: Now, there's an interesting point. Is a slave a slave if he doesn't know he's been enslaved?
The Doctor: Yes.
The Editor: Oh, I was hoping for a philosophical debate. Is that all I'm gonna get? "Yes"?
The Doctor: Yes.
The Editor: [chuckles] You're no fun.
The Doctor: Let me out of these mannacles. Then you'll find out how much fun I am.
The Editor: [To Rose] Oooh, he's tough, isn't he?
("The Long Game", Season 1 New Doctor Who)
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With large chunks of Oxfordshire (including the area around the station) and Gloucestershire (my parents' home county) under water this week, I thought this poem by John Clare was appropriate:
The Flood
On Lolham Brigs in wild and lonely mood
I've seen the winter floods their gambols play
Through each old arch that trembled while I stood
Bent o'er its wall to watch the dashing spray
As their old stations would be washed away
Crash came the ice against the jambs and then
A shudder jarred the arches - yet once more
It breasted raving waves and stood agen
To wait the shock as stubborn as before
- White foam brown crested with the russet soil
As washed from new plough lands would dart beneath
Then round and round a thousand eddies boil
On tother side - then pause as if for breath
One minute - and engulphed - like life in death
Whose wrecky stains dart on the floods away
More swift than shadows in a stormy day
Straws trail and turn and steady - all in vain
The engulfing arches shoot them quickly through
The feather dances flutters and again
Darts through the deepest dangers still afloat
Seeming as faireys whisked it from the view
And danced it o'er the waves as pleasures boat
Light hearted as a thought in May -
Trays - uptorn bushes - fence demolished rails
Loaded with weeds in sluggish motions stray
Like water monsters lost each winds and trails
Till near the arches - then as in affright
It plunges - reels - and shudders out of sight
Waves trough - rebound - and fury boil again
Like plunging monsters rising underneath
Who at the top curl up a shaggy main
A moment catching at a surer breath
Then plunging headlong down and down - and on
Each following boil the shadow of the last
And other monsters rise when those are gone
Crest their fringed waves - plunge onward and are past
- The chill air comes around me ocean blea
From bank to bank the waterstrife is spread
Strange birds like snow spots o'er the huzzing sea
Hang where the wild duck hurried past and fled
On roars the flood - all restless to be free
Like trouble wandering to eternity
So far I've been unaffected by the flooding, but my parents and brother are without mains water and have been for two days - although there's no flooding in their area - we believe, but haven't been able to find out for sure - that the water company, in its infinite wisdom, have diverted water from their area to one of the flood-affected areas - which makes perfect sense (or not!)
My annoyance over this is made greater by the fact that the Government, in its infinite wisdom, allows planning permission to be given for building on flood plains. They're called "flood plains" for a REASON you know !!
This week's Poetry Friday round up is hosted by Jone, aka Ms Mac, over at Check it Out so be sure to - check it out!
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Rose: I'll let the Doctor describe it.
The Doctor: The Fourth Great and Bountiful Human Empire. Planet Earth is at its height, covered with megacities, five moons, population 96 billion, the centre of a galactic domain that stretches across a million planets and species.
[Adam faints.]
The Doctor: He's your boyfriend.
Rose: Not any more.
("The Long Game", Season 1 New Doctor Who)
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No, this is not a review - I'm saving that for the forthcoming HP7 discussion over on the Scholar's Blog Spoiler Zone in early August.
I have finished it though. It took me around seven hours in total - and I'm actually relieved to say I enjoyed it. I wasn't sure I would as I'd been resenting the prospect of reading it so much since rading it would be taking me out of the Whoniverse for several hours - the longest period I've spent *out* of the Whoniverse since I became immersed in it back in January. But once I started reading, the story tugged me along...
It was interesting reading this book from a fiction writer's point of view. This is the first HP book I've read since I began writing fiction myself and it was intriguing. I think I've mentioned here before that I have the facility to read on more than one level at the same time: I read as a child - wanting to get to the end of the story, hoping for a good ending, and I also read as a "critic" - looking at the structure, themes, language style, etc. And since I took up writing fiction I've been reading books at the level of someone who's also producing fiction - it's given me an extra awareness that I didn't possess when reading as a critic - sometimes that merely means thinking "Hmm, not sure I'd have written/structured that like that..." Sometimes it means a flare of admiring envy at the way something has been expressed and the desire to have that kind of mastery myself.
What it means for my reading of Harry Potter is that I've an extra appreciation of how bloody hard it is to tie up all the loose ends of a seven book series in a satisfying way that also gives readers at least a half-way decent story. And I think Rowling achieved that in Harry Potter and the Deathly Hallows.
Oh and I don't totally hate the children's cover any longer - I still prefer the adult one, though ! But seeing it on book it seemed a little less morbid than in the photos (go figure !) And now that I know to what the UK cover relates, I'm impressed that it actually *fits* the story so well !
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Now this, in my view, is something worth getting excited about (certainly more than the publication of the last HP book - yes, I know, I'm hopeless - but the boy with glasses has been pushed out of my affections by the lanky Time Lord with glasses, what can I say ?)
From the Anthony Horowitz website:
Do you want to know what's in store for the five Gatekeepers following Nightrise?
Or how Alex Rider bites back in his next adventure, Snakehead?
Well, now's your chance to find out...
Anthony Horowitz will be hosting a live web chat from 14:00 - 15:00 (BST) on Tuesday 31 July 2007.
With Snakehead, Alex Rider's eagerly-awaited seventh mission, out on Wednesday 31 October we're sure you'll have masses of questions to ask Anthony.
All you have to do is log on to the link below at 14:00 GMT on Tuesday 31 July armed with your questions: Power of Five Chat.
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It's been many years since I saw a Kingfisher, but I like this poem about the Kingfisher by Gerard Manley Hopkins:
As Kingfishers Catch Fire
As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves - goes itself; myself it speaks and spells,
Crying What I do is me: for that I came.
I say more: the just man justices;
Keeps grace: that keeps all his goings graces;
Acts in God's eye what in God's eye he is?
Christ. For Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.
This is quite a complicated poem and you might find this lecture by poet Desmond Egan, delivered during the 2004 International Gerard Manley Hopkins Summer School, useful in illuminating it.
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I've been spending so much time *writing* fiction of late (I began a series of Tenth Doctor/Martha Jones short stories last week - I didn't mean to, of course - a plot bunny came bounding into my head and wouldn't leave !), that I've not been writing any reviews of the fiction I read, and although I've just re-read Linda Buckley-Archer's Gideon the Cutpurse and The Tar Man (still brilliant on a third and second reading, respectively), I owe you reviews of about six other books. So I'm combining quick reviews of the latest three Doctor Who novels featuring the Tenth Doctor and Doctor-in-Training Martha Jones. All these books feature the Doctor and Martha Jones as played by David Tennant and Freema Agyeman in the acclaimed hit series from BBC Television.
The first of these is Stephen Cole's Sting of the Zygons which brings back Tenth Doctor actor David Tennant's favourite monster from the Classic Who series, the Zygons.
The TARDIS lands the Doctor and Martha in the Lake District in 1909 (although he'd been aiming for Russia), where a small village is being terrorised by a gigantic scaly monster. All the local huntsman are taking part in the search for the elusive "Beast of Westmorland" as it's been dubbed, and a number of explorers, naturalists and hunters from across the country are descending on the area. Even King Edward VII is on the way to join the search, offering a Knighthood for whoever can find the Beast. But there is a more sinister presence at work in the Lakes than a mere monster on the rampage, and the Doctor and Martha soon become embroiled in the plans of an old and terrifying enemy of the Doctor's. As the hunters find themselves becoming the hunted, a desperate battle of wits begins - with the future of the entire world at stake.
There is also an Audiobook available, read by Reggie Yates (who played Martha's younger brother Leo in the TV series).
* * * * * *
The second book is Jacqueline Rayner's The Last Dodo in which the Doctor and Martha set off in search of a real live dodo and find themselves transported by the TARDIS to the mysterious Museum of the Last Ones (MotLO). In the Earth section there they discover one specimen of every extinct creature up to the present day; there are billions of them, from the tiniest insect to the biggest dinosaur, all of them still alive, kept in suspended animation. The Museum's only job is to preserve each species by collecting the last surviving specimen of wach creature from all over the universe.
This book is particularly interesting in that Rayner does something that "Doctor Who" authors seldom dare to do - she writes sections of the story from Martha's perspective, in the past tense. Not only does this make a refreshing change, style-wise but it's also fascinating to experience first-hand Martha's thoughts about events, including an accidental genocide that she perpetrates (which, fortunately, the Doctor is able to reverse), as well her larger feelings about the Doctor and their travels together.
Unfortunately these passages have clearly been written with a younger audience in mind so they aren't as detailed as they might have been. Pleasingly whilst Martha's television story arc concentrates a lot on her unrequited feelings for the Doctor, Rayner makes only fleeting references to this in the story. The book also features the amusing device of the "I-Spyder Book of Earth Creatures Guide" which the Doctor gives to Martha before they arrive at the Museum, and which underpins the whole novel in a very humorous Hitch-hiker's Guide To The Galaxy manner.
There is also an Audiobook available, read by Freema Agyeman.
* * * * * *
Martin Day's Wooden Heart features the "Castor", a vast starship which is apparently deserted and has been left drifting slowly in the void of deep space. Martha and the Doctor explore the ship and discover that they may not be alone on board it after all. It appears that someone has survived the disaster that overcame the rest of the crew. The pair try to discover what continues to power the vessel - and why a stretch of wooded countryside has suddenly appeared in the middle of the ship. As they journey through the forest, the Doctor and Martha find a mysterious, fogbound village that is traumatised by some of its children going missin and by tales of its own destruction. The Doctor and Martha find themselves in separate races against time to save the village, Martha from with the forest and the Doctor from outside in the ship.
There is also an Audiobook available, read by Adjoa Andoh (who played Martha's mother Francine in the TV series)
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[The Doctor, encouraging Adam to explore the station]
The Doctor: The thing is, Adam, time travel is like visiting Paris. You can't just read the guidebook, you've got to throw yourself in. Eat the food, use the wrong verbs, get charged double and end up kissing complete strangers... or is that just me?
("The Long Game", Season 1 New Doctor Who)
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There's an interesting article in today's Guardian by Sarah Crown, one of this year's Forward Poetry Prize Judges. She writes:
In the run up to the judging meeting for this year's Forward prizes shortlist, I read nothing but poetry for three weeks. No newspapers, no magazines, no reference books and, crucially, no novels. Nothing. But. Poetry. It was a mind-bending experience.
Don't get me wrong: I'm not complaining, quite the opposite. I'm a sucker for poetry. I'll happily read a collection from cover to cover, and usually get through four or five new ones every month - as well as dipping in and out of volumes and anthologies I've read before. But to consume so much - somewhere in the region of 120 collections, I think - in such a concentrated way, without the leavening effect of prose, effected a profound and - to me, at least - fascinating shift in the way I read.
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Today is the birthday of the rural poet John Clare, of whose poetry Edmund Blunden was a champion.
Water-Lilies
The water-lilies on the meadow stream
Again spread out their leaves of glossy green;
And some, yet young, of a rich copper gleam,
Scarce open, in the sunny stream are seen,
Throwing a richness upon Leisure's eye,
That thither wanders in a vacant joy;
While on the sloping banks, luxuriantly,
Tending of horse and cow, the chubby boy,
In self-delighted whims, will often throw
Pebbles, to hit and splash their sunny leaves;
Yet quickly dry again, they shine and glow
Like some rich vision that his eye deceives;
Spreading above the water, day by day,
In dangerous deeps, yet out of danger's way.
Clare was born in Nottinghamshire on July 13, 1793 and may be the poorest person to ever become a major writer in English literature. His father was a peasant farmer and the family often had to live off the proceeds from a single apple tree in their yard. Clare went to the village school between the ages of five and eleven, and having learnt to read and write, he decided that he wanted to write poetry.
He was forced to support himself by working as a farm labourer. Malnutrition had stunted his growth and he was never more than 5 feet tall, so he couldn't do any heavy work. Most of the time he weeded, stacked hay bales and looked after the animals. Since he couldn't afford to buy paper, he made his own from birch bark; he also made his own ink. However some of his poems were written on old envelopes.
Whilst other romantic poets, such as Wordsworth and Keats, were writing nature poetry they wrote about nature as a metaphor for something else. Clare, however, always tried to write about nature as it was, the thing itself.
His first poetry book came out in 1820 and the fact that he was a peasant helped to make it a bestseller. However, there was a bank crash a few years later, and then a recession in England so his books sold fewer and fewer copies, and he eventually moved back to the farm.
John Clare wrote: "I live here among the ignorant like a lost man ... they hardly dare talk in my company for fear I should mention them in my writings." He began suffering from a psychiatric disorder and his behavior became more and more erratic. He began seeing things such as spirits and demons, and was committed to an asylum where he forgot who he was; at some points he thought he was Lord Byron, and wrote some poems in Byron's style. He escaped from the asylum at one point but was returned and lived there for the rest of his life.
In all Clare wrote about 3,500 poems of which only 400 were published in his lifetime, and his great importance as an English poet has only become clear in the last few decades, in part due to the work begun by Edmund Blunden, himself a Nature poet even in the midst of the First World War.
Today's Poetry Friday round up will be hosted by Susan at Chicken Spaghetti.
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Disco legendo libros; scribendo cogito.
I learn by reading books; I think by writing.