Poetry Friday 40

I quoted part of this poem on Tuesday in my post for the Scholar's Blog Book Discussion on Penelope Lively's The House in Norham Gardens, but here's the poem in full:


Old Furniture

I know not how it may be with others
Who sit amid relics of householdry
That date from the days of their mothers' mothers,
But well I know how it is with me
Continually.

I see the hands of the generations
That owned each shiny familiar thing
In play on its knobs and indentations,
And with its ancient fashioning
Still dallying:

Hands behind hands, growing paler and paler,
As in a mirror a candle-flame
Shows images of itself, each frailer
As it recedes, though the eye may frame
Its shape the same.

On the clock's dull dial a foggy finger,
Moving to set the minutes right
With tentative touches that lift and linger
In the wont of a moth on a summer night,
Creeps to my sight.

On this old viol, too, fingers are dancing
-- As whilom
-- just over the strings by the nut,
The tip of a bow receding, advancing
In airy quivers, as if it would cut
The plaintive gut.

And I see a face by that box for tinder,
Glowing forth in fits from the dark,
And fading again, as the linten cinder
Kindles to red at the flinty spark,
Or goes out stark.
Well, well.
It is best to be up and doing,
The world has no use for one to-day
Who eyes things thus -- no aim pursuing!
He should not continue in this stay,
But sink away.


Also on Tuesday, I watched Michael Winterbottom's Jude, starring Christopher Eccleston as Jude. (I freely admit, I watched it for the sake of seeing David Tennant in his first ever (tiny) film role!) So it's been a Hardyesque week and I looked up some more of his poetry to share. Also on the theme of the past (which is appropriate to the Book discussion) is this:


The Ghost of the Past

We two kept house, the Past and I,
The Past and I;
I tended while it hovered nigh,
Leaving me never alone.
It was a spectral housekeeping
Where fell no jarring tone,
As strange, as still a housekeeping
As ever has been known.

As daily I went up the stair,
And down the stair,
I did not mind the Bygone there --
The Present once to me;
Its moving meek companionship
I wished might ever be,
There was in that companionship
Something of ecstasy.

It dwelt with me just as it was,
Just as it was
When first its prospects gave me pause
In wayward wanderings,
Before the years had torn old troths
As they tear all sweet things,
Before gaunt griefs had torn old troths
And dulled old rapturings.

And then its form began to fade,
Began to fade,
Its gentle echoes faintlier played
At eves upon my ear
Than when the autumn's look embrowned
The lonely chambers here,
The autumn's settling shades embrowned
Nooks that it haunted near.

And so with time my vision less,
Yea, less and less
Makes of that Past my housemistress,
It dwindles in my eye;
It looms a far-off skeleton
And not a comrade nigh,
A fitful far-off skeleton
Dimming as days draw by.


And finally, a poem, written in July 1914, about a poet:


A Poet

Attentive eyes, fantastic heed,
Assessing minds, he does not need,
Nor urgent writs to sup or dine,
Nor pledges in the roseate wine.

For loud acclaim he does not care
By the august or rich or fair,
Nor for smart pilgrims from afar,
Curious on where his hauntings are.

But soon or later, when you hear
That he has doffed this wrinkled gear,
Some evening, at the first star-ray,
Come to his graveside, pause and say:

'Whatever his message his to tell
Two thoughtful women loved him well.'
Stand and say that amid the dim:
It will be praise enough for him.